This piece is inspired by a piano solo concert I went to while studying the piano at the Royal Conservatory of Music in Copenhagen. The pianist, Michel Camilo, started a great encore with the left hand only and and it was an experience that stayed with me.

When writing Impression I started out wanting an effective left-hand that went non-stop, and then I tried to shake off the listener and confusing Måns by mixing the time signatures in the middle of the piece.